Bella Hadid celebrates beauty brand in Texas after Gigi Hadid’s birthday in New York

Bella Hadid celebrates beauty brand in Texas after Gigi Hadid’s birthday in New York
Bella Hadid attended her sister's birthday dinner in New York, pictured, before jetting to the Ulta Beauty Field Leadership Convention in Texas. (Getty Images)
Short Url
Updated 33 sec ago
Follow

Bella Hadid celebrates beauty brand in Texas after Gigi Hadid’s birthday in New York

Bella Hadid celebrates beauty brand in Texas after Gigi Hadid’s birthday in New York

DUBAI: Almost one year since launching her fragrance brand Orebella, US Dutch Palestinian supermodel Bella Hadid made an appearance at the Ulta Beauty Field Leadership Convention in San Antonio, Texas, to promote her label.

The alcohol-free scents of Orebella, which launched in May 2024, were Hadid’s answer to traditional perfumes. The model dubs her fragrances “skin perfumes” and she has described them as “hydrating, alcohol-free and enriched with essential oils.”

Hadid attended the convention hosted by cosmetics chain store Ulta Beauty, taking to Instagram to say it “is so beautiful because we get to celebrate so many amazing brands but most of all we get to celebrate all of the hard working Ulta family that help us feel great!”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

Hadid jetted to San Antonio after celebrating her sister Gigi Hadid’s 30th birthday in New York. The birthday party was held at Le Chalet in New York City on April 25, and Bella attended in a chic all-black look complete with dark sunglasses.

Gigi entered the venue with her partner, Oscar nominee Bradley Cooper, and met up with her sister Bella, mother Yolanda Hadid, father Mohamed Hadid, Russian media personality Keni Silva and US actress Anne Hathaway.

Gigi’s birthday was on April 23, and the internet was abuzz with celebrities, designers, family and friends who sent birthday wishes to the supermodel as she turned 30.

Bella shared a carousel of photos on Instagram to celebrate, writing: “IT’S GIGI DAY EVERYONE SAY IT WITH ME. HAPPPYYY 30th BIRTHDAYYYY JELENAAAA.”

Yolanda Hadid, Gigi’s mother, took a moment to reflect on her daughter’s 30-year journey. “Thirty years went by in a flash, 10,950 days to be exact but there hasn’t been one day without you on my mind,” she wrote, sharing photos of Gigi from babyhood to recent moments.

She added: “As you know giving birth to your first born is life changing, it really marks the first day of the rest of your life as you transition from womanhood into the blessing of motherhood. Today is your special day and I want to say thank for choosing me to be your mommy and for all the love, light and reflection you have brought into my life.”

Italian designer Donatella Versace also shared a birthday message, posting a few images with Gigi and writing: “Happy Birthday to my Taurus twin, @gigihadid! I wish I was with you on this special day. I am sending you kisses and so much love - today and always. Love you!”


Hazem Harb explores displacement and memory in new Dubai exhibition

Hazem Harb explores displacement and memory in new Dubai exhibition
Updated 26 April 2025
Follow

Hazem Harb explores displacement and memory in new Dubai exhibition

Hazem Harb explores displacement and memory in new Dubai exhibition

DUBAI: In his new exhibition, “Not There, Yet Felt,” at Tabari Artspace in Dubai, the Palestinian artist Hazem Harb is making things personal, both literally and figuratively, exploring the theme of displacement.

“It’s an out-of-body experience. I’m here and I’m not here,” he told Arab News. Harb is feeling torn; while his life and studio are physically based in Dubai, his heart and mind are emotionally attached to his birthplace of Gaza. 

The show, on view until May 27, is lined with a series of aluminium self-portraits, based on silhouettes of the artist’s head and upper chest. Instead of seeing detailed facial features, the silhouettes are black, filled with images of colorful walls of Harb’s family home, which was destroyed as a result of the continuing Israeli assault. Such details of the walls, which were photographed by Harb’s nephew and a photojournalist in Gaza, took him by surprise. “I had no idea we had shades of blue, pink and yellow in the house,” he said. “There are so many layers and memories in that house.” 

Above this series of self-portraits, a central neon artwork reads “Hope Is Power,” yet ‘power’ is flickering, indicating uncertainty and a loss of normalcy in daily life. Another instance of disturbance can be sensed in a large self-portrait, printed on paper and hanging on the wall, where the end parts of the paper are intensely crumpled. Exploring the multi-layered idea of peeling, there is also a group of calming, hand-made collage works, where wall peelings resemble figurative shapes. 

Unlike his solo exhibition last year, in which there was a heady showcase of violently passionate work, entering Harb’s new show has a lighter, romantic feel, thanks to the gentle and romantic hues and language used. “Your Skin Is My Homeland,” a wall text reads. In the back room of the gallery, Harb is also presenting figurative paintings he made 20 years ago, resembling the flowing forms he experimented with for his new exhibition. 

Despite the uncertainty felt by the artist, there is a glimmer of hope. One piece that shows this is a large work, where a body (made of medical gauze) stands still, carrying emotional wounds yet rising from the ashes. “The show is a statement. I felt a responsibility,” he said. “The whole world, not just Palestine, is in a very critical time, and I was thinking about the role of art in a sensitive, genocidal time. Art is a way to say something and is a part of history, an archive for the future.” 


Zuhair Murad styles Blake Lively, Nicole Scherzinger

Zuhair Murad styles Blake Lively, Nicole Scherzinger
Updated 26 April 2025
Follow

Zuhair Murad styles Blake Lively, Nicole Scherzinger

Zuhair Murad styles Blake Lively, Nicole Scherzinger

DUBAI: Lebanese celebrity designer Zuhair Murad made a statement at the 2025 Time 100 Gala this week, with American actress Blake Lively, as well as singer and songwriter Nicole Scherzinger, showcasing his creations on the red carpet.

Lively, who attended the event with her husband Ryan Reynolds, wore a pink taffeta off-the-shoulder gown featuring a corseted bodice and a train detail from Murad’s ready-to-wear spring 2025 collection.

She accessorized her look with emerald earrings, cuffs and jade rings from US jewelry designer Lorraine Schwartz.

Lively, who posed on the red carpet with Reynolds and her mother Willie Elain McAlpin, was honored at the event.

She took to the stage to speak about violence against women and paid tribute to her mother, who was seated alongside Reynolds.

Scherzinger, meanwhile, chose a black off-the-shoulder sequin gown from Murad’s ready-to-wear pre-fall 2025 collection.

The 2025 Time 100 Gala was held at Jazz at Lincoln Center in New York City, celebrating Time’s annual list of the 100 most influential people worldwide.

The evening brought together a wide range of leaders, entertainers, athletes and innovators recognized for their contributions across different fields.

The event was hosted by rapper Snoop Dogg, who walked the red carpet with his son and gave special mentions on stage to honorees such as gymnast Simone Biles, Eagles quarterback Jalen Hurts, actress Demi Moore, chemistry Nobel Prize laureate Demis Hassabis and makeup mogul Bobbi Brown.

Other notable honorees in attendance included Scarlett Johansson, Serena Williams and Kristen Bell.

Musical performances were given by fellow honorees Ed Sheeran and Myles Smith.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Hisham Gamal (@hishamgamal)

Murad has been recognized for his detailed craftsmanship in haute couture and bridal fashion.

Since founding his brand in 1997, he has gained international attention. His creations have been worn by celebrities such as Jennifer Lopez, Beyonce, Priyanka Chopra Jonas, Taylor Swift, Celine Dion, Sofia Vergara, Kristen Stewart and Johansson on major red carpets.

He is one of a handful of Arab designers on the official Paris Fashion Week and Paris Haute Couture Week calendars.

Murad made headlines this week for dressing Egyptian actress Laila Ahmed Zaher on her wedding day.

She wore a fitted, high-neck gown with long sleeves, adorned with intricate lace embroidery throughout. The form-fitting silhouette was paired with a detachable voluminous tulle overskirt.


UAE lands starring role in Hollywood film ‘Now You See Me: Now You Don’t’

UAE lands starring role in Hollywood film ‘Now You See Me: Now You Don’t’
Updated 25 April 2025
Follow

UAE lands starring role in Hollywood film ‘Now You See Me: Now You Don’t’

UAE lands starring role in Hollywood film ‘Now You See Me: Now You Don’t’
  • Third installment of popular franchise will be released in November

DUBAI: The UAE has landed a starring role in the upcoming Hollywood film “Now You See Me: Now You Don’t,” with scenes filmed in the capital city Abu Dhabi.

The production, which will be released in November, wrapped up a 13-day shoot at several of the capital’s landmark locations, according to the Creative Media Authority on Thursday. 

The film, which is packed with high-stakes heist scenes, was shot at destinations including the Louvre Abu Dhabi, Sheikh Zayed Bridge, the Liwa Desert, Ferrari World Abu Dhabi, CLYMB, Yas Marina Circuit, W Abu Dhabi — Yas Island, and various city streets.

The third installment of the popular franchise, directed by US filmmaker Ruben Fleischer, brings back Jesse Eisenberg, Woody Harrelson, Dave Franco, and Morgan Freeman in their previous roles, joined by an ensemble cast that includes Justice Smith, Dominic Sessa, Ariana Greenblatt, and Rosamund Pike.


Saudi historical highlights on display at Abu Dhabi Book Fair 

Saudi historical highlights on display at Abu Dhabi Book Fair 
Updated 25 April 2025
Follow

Saudi historical highlights on display at Abu Dhabi Book Fair 

Saudi historical highlights on display at Abu Dhabi Book Fair 
  • Selections from London-based rare-book dealer Peter Harrington’s offering at the UAE fair, April 26 to May 5 

‘The Holy Mosque at Makkah’ 

With a foreword by former Saudi Minister of Finance Sheikh Mohammed Abalkhail and images by the award-winning African photojournalist Mohamed Amin, this “sumptuous production” tracks the quarter century of restoration of the Sacred Mosque and Holy Kaaba in Makkah in the mid-20th century. “The text contains a historical description of the Holy Kaaba, Masjid al-Haram, a summary of recent construction in the Saudi era, and architectural notes, with the rest of the volume dedicated to Amin’s photographs, presenting detailed views of the diverse and extensive developments,” the book dealer’s notes state. Amin was “the first photographer to be given access to document the Hajj and among the first to photograph sections of the Holy Mosques of Makkah and Madinah. Over three years during the 1970s, he travelled by camel, helicopter, car and on foot to Madinah, Arafat, and Makkah.” 

Confidential reports from the First and Third Arab Petroleum congresses 

The historical global significance of the first Arab Petroleum Congress in 1959 cannot be understated. It was here that the idea of an oil-producing organization (an idea that eventually turned into OPEC) was introduced. “During proceedings, the influential oil journalist Wanda Jablonski introduced Saudi Arabia’s Abdullah Tariki to Venezuela’s Juan Pablo Perez Alfonzo, both of whom were upset by recent price cuts. They rallied delegates to sign the secret Maadi Pact, suggesting a Petroleum Consultation Commission to coordinate producer responses. This laid the groundwork for the 1960 Baghdad Conference, at which OPEC was officially formed,” the book dealer’s notes state. This grouping of documents contains in-house reports from Aramco on that congress, and the Third Arab Petroleum Congress in Dec. 1961, as well as other Aramco-produced materials from 1956-1961. 

Photographic archive and reports from the recommissioning of the Hejaz Railway 

The book dealer describes this collection as “a unique archive relating to the earliest post-war attempt to reconstruct the Hejaz railway and link Damascus with Madinah.” The last train to travel the full length of the railway was reportedly in 1925, after which “the line south of Mudawwara was washed away, and the conflicts that led to the creation of Saudi Arabia in 1932 dampened collective efforts at reconstruction.” The archive includes previously unpublished photos and original reports issued by the International Resources Engineering and Exploration Group, which was awarded to contract to design the project in 1956. “Coverage is particularly detailed for central and northern Saudi Arabia, especially the area around Mada’in Salih and Khur Himar,” the dealer states, and includes images of the party meeting with local officials including the rulers of AlUla and Tabuk. 

A collection of magic lantern slides by Harry St John Bridger Philby & Alec Horace Edward Litton Holt 

The British intelligence officer Philby — who served as an advisor to Saudi Arabia’s founder, King Abdulaziz Ibn Saud — and the engineer and explorer Holt travelled 600 miles together in 1922 through the desert via Al-Jawf province in Saudi Arabia “at the height of increasing tensions between Ibn Saud and the Hashemites.” These 23 slides were, the book dealer believes, likely used to illustrate the presentation the pair gave about their journey before the Royal Geographic Society in the UK on Feb. 12, 1923. “The collection shows Holt and Philby in Arab dress; Ford cars and aeroplanes at Jidd, desert scenes, a Ford condenser, and ploughing for landing fields, among others.” 

Aramco educational PR pack 

In an attempt to attract US students and graduates in the Sixties and Seventies, Aramco produced several collections of promotional material that included posters much like this one, which it distributed to schools and universities in the States. “The lively posters explore the history of Saudi Arabia and the company’s operations, each illustrated with photographs of historical figures (including T. E. Lawrence), company personnel and oil wells, and Saudi architecture,” the book dealer states.  


‘Adaptability’ at SAMoCA shows ‘the similarity between clay and humans’ 

‘Adaptability’ at SAMoCA shows ‘the similarity between clay and humans’ 
Updated 25 April 2025
Follow

‘Adaptability’ at SAMoCA shows ‘the similarity between clay and humans’ 

‘Adaptability’ at SAMoCA shows ‘the similarity between clay and humans’ 
  • Exhibition showcases ceramic works by 11 Arab artists  

RIYADH: The Saudi Arabian Museum of Contemporary Art in Riyadh is currently hosting “Adaptability,” an exhibition of work in clay by 11 artists from five different Arab countries, each offering their unique perspective on our relationship with the material. The show runs until May 20. 

“This exhibition beautifully illustrates the adaptability of clay, showcasing human creativity and our capacity for enduring change across cultures and civilizations,” curator Samer Yamani told Arab News. “It shows the similarity between clay and humans: We both are so strong, but fragile, and the higher the fire gets, the stronger we get — we adapt to new circumstances and new things happening in life; we are able to innovate and to be present.”  

The show is laid out in three circles. The inner one includes work that expresses inner thoughts and emotions; the middle explores topics related to communities, culture, and life; the outer circle addresses heritage, urbanism, and sustainability.  

Hana El-Sagini's 'The Doctor's Desk.' (Supplied)

“Clay is such a malleable material that you can shape through many different forms — hand-made, technological, mechanical… so it’s interesting to see all the different ways that the various artists have used or thought about clay; some more technical, some to express more emotional stories. The dialogue between the different ways of thinking with the same material is very interesting,” participating Jordanian artist Sama Alsaket told Arab News.  

Alsaket’s piece, found in the middle circle, is titled “Shades of Terracotta” and was constructed from five different types of clay sourced from her home country. Combining her background in architecture with visual art, her work is intended to spark discourse around handmade, digital, and industrial processes.  

“My work focuses on researching the different kinds of clay in Jordan and documenting traditional techniques there,” she said. “Through exploring these kinds of clay, which are iron-rich and usually used for terracotta, I was thinking about how to translate a vessel which is usually made out of terracotta and used to store water into something that is vertical. I was also thinking about how to leverage the different qualities and characteristics of terracotta in architecture.”  

She added: “Riyadh seems like such an amazing platform for artists and they’re trying to shape and think about what contemporary art in the Middle East is.”  

Sama Alsaket's ‘Shades of Terracotta.’ (Supplied)

Egyptian artist Hana El-Sagini’s “The Doctor’s Desk” also features in the exhibition.  

“It’s a reflection on illness as a female,” El-Sagini told Arab News. “I was a cancer patient and as a Middle Eastern Muslim woman you kind of protect your body and it’s very sacred, but once you become a patient, things totally change. You become this object they need to fix, which is very noble of them, but it’s a very overwhelming experience for us. Anyone who’s going through adversity goes through surreal ideas of reality versus illusion and ‘Is this really happening to me?’ Like with heartbreak, or the death of a loved one, or illness — all of these — you find yourself in a surreal state. This is why there are a lot of fingers in the work.” 

The work is playful as well, she added. “I’m Egyptian, so I need to have that dark humor.”  

El-Sagini is better known as a painter. In fact, “The Doctor’s Desk” is her first ceramic work.  

“It was the right medium for this work: it’s fragile, it’s real, it’s malleable, raw, and very expressive,” she said. “It’s not perfect. It’s kind of a reflection on the human form.”