Israeli soldiers raid home of Palestinian activist featured in Louis Theroux documentary

Amro, a Nobel Peace Prize nominee, appeared in “The Settlers,” a follow-up to Theroux’s 2012 documentary “The Ultra Zionists.” (AFP/File)
Amro, a Nobel Peace Prize nominee, appeared in “The Settlers,” a follow-up to Theroux’s 2012 documentary “The Ultra Zionists.” (AFP/File)
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Israeli soldiers raid home of Palestinian activist featured in Louis Theroux documentary

Israeli soldiers raid home of Palestinian activist featured in Louis Theroux documentary
  • Issa Amro posted videos on social media showing confrontations with Israeli soldiers, settlers at his home in Hebron
  • The activist said ‘they wanted revenge from me for participating in the BBC documentary’

LONDON: Israeli soldiers have raided the home of Issa Amro, a prominent Palestinian activist featured in Louis Theroux’s recent BBC documentary “The Settlers,” in what he described as a retaliatory move for his appearance in the film.

Amro, co-founder of the non-violent group Youth Against Settlements, posted videos on social media showing confrontations with Israeli soldiers at his home in Hebron, as well as footage of Israeli settlers entering the property.

“The soldiers raided my house today, they wanted revenge from me for participating in the BBC documentary ‘the settlers’, after the army left the settlers raided my house, they injured one activist and cut the tree, they stole tools and the garbage containers,” he said in a post on X.

The incident comes as Israel intensifies its military operations in the West Bank, even as global attention remains focused on its war in Gaza. Human rights groups have long accused Israeli settlers — often accompanied or protected by soldiers — of conducting near-daily raids on Palestinian communities to intimidate residents and seize land.

Despite repeated condemnation by the international community, attacks by settlers and security forces have grown more frequent and more violent, forcing many Palestinians to abandon their homes.

Israeli settlements in the West Bank and East Jerusalem are considered illegal under international law. The expansion of settlements has drawn comparisons from rights organizations to the apartheid system once seen in South Africa.

Amro, a Nobel Peace Prize nominee, appeared in “The Settlers,” a follow-up to Theroux’s 2012 documentary “The Ultra Zionists.” In the new film, he guides Theroux through Israeli-occupied Hebron, where around 700 settlers live under heavy military protection among a Palestinian population of roughly 35,000.

The documentary not only examines the daily realities of life under occupation but also explores the religious and ideological motivations driving the settler movement.

Amro said Israeli police threatened him with arrest and told him not to file a complaint. In one video posted on X, he confronts balaclava-wearing soldiers and asks why their faces are covered. One responds: “You know exactly why.”

Theroux commented on X that his team is in regular contact with Amro and is “continuing to monitor the situation.”

The incident echoes a similar case in March, when Hamdan Ballal, a co-director of the Oscar-winning documentary “No Other Land,” was assaulted outside his home in Susya, a village in the Masafer Yatta area of the West Bank, before being briefly detained. Ballal later claimed he was beaten while in custody and described the attack as “revenge for our movie.”

In a statement, a spokesperson for the Israel Defense Forces denied Amro’s claims, saying: “As the videos clearly show, the soldiers present on May 3 in the Hebron area were there to disperse the confrontation between Palestinian residents and Israeli civilians.”


Syria state TV relaunches, months after Assad’s ouster

Syria state TV relaunches, months after Assad’s ouster
Updated 1 min 18 sec ago
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Syria state TV relaunches, months after Assad’s ouster

Syria state TV relaunches, months after Assad’s ouster
  • Following Assad’s fall, television channels, radio stations and outlets suspended broadcasting and publishing
  • ‘We hope to rebuild national media and trust with Syrians,’ Information Minister Hamza Al-Mustafa said
DAMASCUS: Syrian state television officially relaunched on Monday with a trial broadcast almost five months after the ouster of longtime ruler Bashar Assad and following delays blamed on sanctions and dilapidated equipment.
After Syria’s new authorities took power in December, state media and other television channels, radio stations and outlets affiliated with Assad’s government suspended broadcasting and publishing.
At 5:00 p.m. (1400 GMT) on Monday, a presenter appeared on television screens, welcoming viewers and announcing the start of a test broadcast of Syria’s Alekhbariah television channel from Damascus via two satellite providers.
The channel showcased its new branding and broadcast images of Damascus and Ummayad Square, where the Public Authority for Radio and Television headquarters are located, as well as images of correspondents across the country.
“Today, the first official television channel has launched,” said new authority chief Alaa Bersilo, vowing it would be “a mediator between the state and society.”
He said broadcasting was delayed several times “due to television infrastructure” and “sanctions on the former regime which impacted satellite broadcast efforts.”
The channel’s director Jamil Srur said: “We were keen on Alekhbariah being fit for the new Syria, and this is what delayed its launch.”
In a post on X, Information Minister Hamza Al-Mustafa called the launch “a very emotional moment,” expressing hope that the channel would be help rebuild the national media and be a model for “rebuilding trust” with Syrians.
After forces led by Islamist group Hayat Tahrir Al-Sham (HTS) took Damascus on December 8 and announced Assad’s overthrow, state news agency SANA stopped operating for more than a day before resuming with new staff.
But state television failed to keep up with fast-evolving events, at first broadcasting archive footage and later ceasing transmissions.
The new authorities have cracked down on outlets that were close to the ousted government, particularly Al-Watan daily and Sham FM radio.
For decades, Syria’s ruling Baath party and the Assad family dynasty heavily curtailed all aspects of daily life, including freedom of the press and expression, while the media became a tool of those in power and the entry of foreign media was heavily restricted.
Since Assad’s fall, outlets in exile or in formerly opposition areas have come to prominence, and foreign journalists have flooded in.
Syria ranks 177 out of 180 countries and territories on the 2025 World Press Freedom Index published by the Paris-based Reporters Without Borders (RSF).
While Assad’s ouster ended “five decades of brutal and violent repression of the press... journalists’ newfound freedom remains fragile due to ongoing political instability and mounting economic pressures,” according to RSF.

Google has launched new film and TV production wing, Business Insider reports

Google has launched new film and TV production wing, Business Insider reports
Updated 40 min 59 sec ago
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Google has launched new film and TV production wing, Business Insider reports

Google has launched new film and TV production wing, Business Insider reports
  • Move could help it capitalize on an industry reeling from rising production costs and potential US tariffs
  • Google is looking to boost the visibility and adoption of its newer offerings including AI and spatial computing tools

LONDON: Google has launched a new film and TV production initiative to scout projects it could fund or co-produce, Business Insider reported, a move that could help it capitalize on an industry reeling from rising production costs and potential US tariffs.
The initiative, called “100 Zeros,” is a multi-year partnership with Range Media Partners, a talent firm and production company known for its work on films including “A Complete Unknown” and “Longlegs,” according to the report on Monday.
Alphabet-owned Google is looking to boost the visibility and adoption of its newer offerings including AI and spatial computing tools that blend the physical and virtual worlds through the initiative, which backed the marketing of indie horror film “Cuckoo” last year, the report said.
100 Zeros is among the producers for “Cuckoo,” according to entertainment-focused social platform Letterboxd.
Google did not immediately respond to a Reuters request for comment.
The reported move comes as Hollywood grapples with higher costs after twin strikes in 2023 by actors and writers, as well as the threat of US tariffs on foreign-made films.
Google already has a partnership with Range Media — it announced last month the companies would work together over the next 18 months to commission films about AI. The first two films from the venture — called “Sweetwater” and “LUCID” — are set to release later this year.
Using Hollywood’s cultural clout could also help the tech giant in the AI race as it rushes to drive up adoption of its services such as Gemini, which competes with the likes of OpenAI’s ChatGPT.
The company, however, is not looking at YouTube as a primary distribution platform for 100 Zeros’ work, Business Insider reported, adding the goal instead was to sell projects to traditional studios and streamers such as Netflix.
YouTube had ventured into original programming in 2016 with the launch of “YouTube Originals.” The project was shuttered in 2022 as it pivoted back to its core focus on user-generated videos and ramped up its TikTok-style short-form offering, Shorts.


New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting

New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting
Updated 05 May 2025
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New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting

New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting
  • The Pulitzers honored the best in journalism from 2024 in 15 categories, along with eight arts categories including books, music and theater

NEW YORK: The New York Times won four Pulitzer Prizes and the New Yorker three on Monday for journalism in 2024 that touched on topics like the fentanyl crisis, the US military and last summer’s assassination attempt on President Donald Trump.
The Pulitzers’ prestigious public service medal went to ProPublica for the second straight year. Kavitha Surana, Lizzie Presser, Cassandra Jaramillo and Stacy Kranitz were honored for reporting on pregnant women who died after doctors delayed urgent care in states with strict abortion laws.
The Washington Post won for “urgent and illuminating” breaking news coverage of the Trump assassination attempt. The Pultizers honored Ann Telnaes, who quit the Post in January after the news outlet refused to run her editorial cartoon lampooning tech chiefs — including Post owner Jeff Bezos — cozying up to Trump.
The Pulitzers honored the best in journalism from 2024 in 15 categories, along with eight arts categories including books, music and theater. The public service winner receives a gold medal. All other winners receive $15,000.
The Times’ Azam Ahmed and Christina Goldbaum and contributing writer Matthieu Aikins won an explanatory reporting prize for examining US policy failures in Afghanistan. The newspaper’s Doug Mills won in breaking news photography for his images of the assassination attempt. Declan Walsh and the Times’ staff won for an investigation into the Sudan conflict. Alissa Zhu, Nick Thieme and Jessica Gallagher won in local reporting, an award shared by the Times and The Baltimore Banner, for reporting on that city’s fentanyl crisis.
The New Yorker’s Mosab Abu Toha won for his commentaries on Gaza. The magazine also won for its “In the Dark” podcast about the killing of Iraqi civilians by the US military and in feature photography for Moises Saman’s pictures of the Sednaya prison in Syria.
 

 


BBC to investigate Arabic service over allegations of antisemitism

BBC to investigate Arabic service over allegations of antisemitism
Updated 05 May 2025
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BBC to investigate Arabic service over allegations of antisemitism

BBC to investigate Arabic service over allegations of antisemitism
  • The Telegraph reported last week that freelance contributors had made antisemitic comments or expressed support for Hamas

LONDON: The BBC is preparing to launch an independent investigation into its Arabic-language service following allegations that it has featured contributors accused of antisemitic remarks and support for Hamas.

BBC Chairman Dr. Samir Shah confirmed over the weekend that the corporation would appoint an external figure to lead a review into the broadcaster’s coverage of the Israel-Gaza conflict and examine the issues raised by a recent report in The Telegraph.

“The Arabic service, we are looking at it, we’ve been examining it,” Shah told Times Radio. “I think this whole business of how we’ve covered Israel-Gaza is a proper thing to examine thoroughly, which is why we’re going to identify … we’re going to get hold of an independent figure to look at our coverage.”

According to BBC sources cited by UK media, the review will be “independent and published in full” and presented to the BBC board as part of a broader evaluation of its Middle East reporting.

Shah, who became chairman of the BBC in March 2024, said the corporation must remain vigilant regarding bias but maintained that the BBC continues to be a trusted source for impartial news.

The announcement follows a report by The Telegraph that some contributors to BBC Arabic had made antisemitic comments or expressed support for Hamas, a group proscribed as a terrorist organization by the UK, US, EU, and others, including Saudi Arabia.

One contributor, Gaza-based journalist Samer Elzaenen, reportedly posted in 2011 that Jews should be burned “as Hitler did.” Another, Ahmed Qannan, allegedly praised a 2022 shooter who killed five people in Israel and expressed hope that victims of a 2023 synagogue shooting would die.

The BBC has said that neither contributor is a member of staff but did not deny their appearances on air. Both are understood to be freelance contributors.

The broadcaster is also facing criticism over a recent documentary on the war in Gaza, after it was revealed that the narrator was the son of a Hamas government minister — information that was not disclosed in the film. The BBC said it was unaware of the familial connection at the time of production.

The documentary has since been removed from its on-demand platform pending a separate review.

The incident has reignited debate over the BBC’s editorial stance on the Israel-Palestine conflict, with critics on both sides accusing it of bias. Hundreds of media figures have defended the film, arguing that a narrator’s family connections should not disqualify them from participating or undermine their testimony and criticizing the BBC for pulling an “essential piece of journalism” that offers “a rare perspective on the lived experiences of Palestinians.”

The BBC, which has been marred by controversy since conflict broke out between Hamas and Israel in October 2023, has also faced political pressure over its decision not to label Hamas a terrorist organization in its reporting.

Defending the approach, Shah told Times Radio the BBC board had agreed to use the term only when it is attributed to a source, consistent with the broadcaster’s editorial guidelines.


State of the Saudi media sector and investment opportunities it offers

State of the Saudi media sector and investment opportunities it offers
Updated 04 May 2025
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State of the Saudi media sector and investment opportunities it offers

State of the Saudi media sector and investment opportunities it offers

RIYADH: The General Authority for Media Regulation has released a report, “The State of the Saudi Media Sector and Investment Opportunities for 2024,” which provides an overview of the media landscape in the Kingdom and highlights the significant transformations the sector is undergoing to keep pace with Saudi Vision 2030.

The report reflects promising investment opportunities, in addition to the technical and regulatory shifts that support the growth and sustainability of the sector. It also illustrates the magnitude of the boom in the Saudi media sector, which has achieved remarkable development driven by digital transformation and technological advance, improving the efficiency of media content and enhancing its global competitiveness.

The media authority’s estimates in the report indicate that the contribution of the media sector to the direct and indirect gross domestic product increased to 0.57 per cent in 2024, amounting to SAR16 billion ($4.26 billion), compared with 0.52 per cent in 2023.

The authority continues to work towards achieving its ambitious goals of raising this percentage to 0.8 percent by 2030. In terms of investment in human capital, job growth reached 67,000 jobs, with a rate of 22 percent by the end of 2024, with the aim of reaching 160,000 jobs by 2030.

The report also identified six key transformations in the media industry in the Kingdom, including the increasing demand for local content, developing media infrastructure, adopting modern technologies such as artificial intelligence and augmented reality, improving the regulatory environment, supporting national talents and competencies, and expanding investment opportunities.

The report confirms that the Kingdom has become a prominent destination for media investment, providing a flexible regulatory environment and mega-projects aimed at enhancing the media industry.

It also addressed the opportunities available to investors in content production, the development of electronic games, investment in media infrastructure, and international partnerships in the Saudi media market. In addition, the continued innovation and adoption of modern technologies to enhance the competitiveness of Saudi media globally is a crucial factor because the sector has elements that make it one of the main drivers of economic and cultural development in the Kingdom.

The report details the opportunities and challenges in the sector and covers the five media divisions supervised by the General Authority for Media Regulation: publishing; audio; visual; advertising; and games sectors.

The authority, through the report, hopes to improve understanding of the local media landscape and provide clear and accurate data to media entities and local and international investors, to highlight the promising opportunities in the sector.

The report is a comprehensive reference for the state of media in the Kingdom and is provides a guide for local and international investors and researchers in the sector. The authority urges interested partis to view the report on its website at https://gmedia.gov.sa/ar/media-status-report